Sidebar

 2025_09_11-21_copy.jpg

Vilnius University / Ugnius Bagdonavičius photo

Originally from Kaunas District, Dr Aistė Čelkytė’s love of reading and fascination with Antiquity led her to several prestigious universities around the world. After two decades of academic work abroad, the scholar says she had always hoped to eventually work in Lithuania. Now teaching at the Faculty of Philology of Vilnius University (VU), Dr Čelkytė is delighted by the strong classical philology tradition and the active academic community she feels at the University. She says that it is precisely here that she sees many opportunities for growth. We asked her how she discovered Antiquity, how her studies abroad enriched her, and what knowledge and experience she brought back to Lithuania.

Fascinated by Antiquity since childhood

Growing up in Panevėžiukas (Kaunas District) and completing her basic schooling there, Dr Aistė Čelkytė had plenty of time to read in the quiet settlement, and as she herself says, in her childhood she read “everything that caught my eye.” Although she enjoyed everything as a pupil, when she received Jean-Pierre Vernant’s The Universe, the Gods, and Men: Interpretations of Myths as a gift, she realised that Antiquity and classical philology were what interested her most.

“I was deeply drawn to the precise analysis and, at that time, even astonishing insights of this legendary scholar into the seemingly well-known ancient Greek myths,” the lecturer recalls.

Although a deeper study of Antiquity is only possible with knowledge of Greek or Latin, at that time schools offered no opportunity to learn these languages. Dr Čelkytė says that the ability to learn languages, instilled in her by her English teacher Evelina Jaleniauskienė at Panevėžiukas Basic School, proved very useful later on. When she began studying Ancient World History at Durham University (United Kingdom), she was not daunted either by lectures in English or by learning Greek and Latin.

2025_09_11-1_copy.jpg

Vilnius University / Ugnius Bagdonavičius photo

Soon she became interested in the philosophers of Antiquity as well. While attending a lecture on early Greek philosophers at Durham University, the young student was captivated by the surviving fragments of ancient thinkers’ works preserved only in excerpts. At first, they intrigued her with their strangeness, and later with their complexity. For instance, one fragment by Thales declares that everything in the world is water.

“I was very intrigued by the fact that such fragments can be ‘decoded,’ revealing attempts to explain natural phenomena – in this case, natural change,” says Dr Čelkytė.

It was precisely this “decoding” of ancient thought, reminiscent of detective work, that fascinated and deeply engaged her. To this day, her academic research often revolves around fragmented sources and lesser-known figures of Antiquity.

The Stoic Concept of Beauty

Later, at the prestigious University of St Andrews in Scotland – one of the world’s leading centres for the study of ancient philosophy – the scholar successfully defended her dissertation on the Stoic concept of beauty. Based on this research, a monograph was later published by an Edinburgh press. When asked how the Stoics understood beauty, Dr Čelkytė explains that the Stoic conception of beauty consists of two parts. The first is proportionality (Greek: summetria).

“Proportionality was perhaps the most important concept in Greek art as early as the fifth century BC, after the sculptor Polykleitos discovered which proportions made sculptures appear most beautiful. The Stoics, like many other philosophers, first define beauty as proportionality,” the scholar notes.

“The second part of their concept of beauty is the functional aspect of beauty: beauty is not an abstract proportionality, but proportionality appropriate to the function of a thing or a person,” she explains.

Such an understanding of beauty was not only innovative but also particularly fitting for philosophers concerned with ethics and the beauty of the soul. “According to the Stoics, the most beautiful people are the sages, because their completely harmonious and proportionate beliefs mean that they are entirely rational – and being rational is the nature and function of human beings,” the scholar remarks with admiration.

2025_09_11-6_copy_copy.jpg

Vilnius University / Ugnius Bagdonavičius photo

Incidentally, the cover of Dr Aistė Čelkytė’s monograph features Mikalojus Konstantinas Čiurlionis’s Sonata of the Stars. The lecturer says she sees many connections to philosophy in Čiurlionis’s work, as it explores numerous thought-provoking themes – for instance, world creation and divinity. According to Dr Čelkytė, the Stoics would appreciate not only the aesthetic value of Čiurlionis’s paintings and music but also their philosophical dimensions.

Dr Čelkytė has completed postdoctoral research projects in South Korea and the Netherlands, and her research topics are remarkably diverse: ancient biology, medicine, cosmology, and economic theory. Recently, her second book was published – on the Roman physician Galen and his conception of the body.

When asked why it is still relevant today to study the natural sciences of Antiquity – whose knowledge might seem outdated – she insists: “Nothing has made me appreciate modern science, especially medicine, more than studying ancient science.” At the same time, she adds that she would not recommend ancient medicine to those who wish to learn how to heal. “If you are interested in questions about the nature of science, its methodology, and how scientific progress happens – or doesn’t happen – there is no better source than the history of science.”

Moreover, she notes, not everything in ancient science is obsolete. A question that remains highly relevant today – whether physicians should base their diagnoses and treatments on the latest research and statistics or on personal experience – was already at the centre of debates among ancient rationalists and empiricists. “The former relied on theoretical conceptions of the body, while the latter claimed that only the doctor’s own experience is a truly reliable way to help patients,” the researcher explains.

Back to Lithuania

Although Dr Čelkytė says she did not have any concrete plans to return to Lithuania, she always hoped that she would eventually work here. So, when the opportunity to teach in Vilnius arose, she immediately seized it.

“Vilnius University is especially appealing for its very old and impressive tradition of classical philology, as well as its truly sizeable community of classicists, many of whom are very active colleagues. Here I see many opportunities to grow and develop as a scholar and lecturer,” says the researcher, who sees her future in Lithuania.

Asked whether twenty years of experience abroad changed her perception of her homeland, she replies that Lithuanians often place very high demands both on themselves and on Lithuania. In her view, although this is not bad in principle, high expectations also bring negative comparisons and overly critical evaluations, which are not always justified.

On the other hand, she acknowledges that while there are areas where she would like to see more progress, she now understands much better that “the occupation left many wounds that are still healing – and healing takes time.”

Having been rediscovering Lithuania since September, the researcher and lecturer at Vilnius University’s Faculty of Philology says she especially values her students’ curiosity and creativity. In her teaching, she prioritises active learning methods and promises her students plenty of discussions. She will be giving lectures on conceptions of the body in Antiquity for bachelor’s students, and on women in the Greek intellectual tradition for master’s students. The lecturer hopes that some of them will become so engaged with these topics that they will be inspired to undertake translations. “It would be wonderful if more texts – for example, those of Hippocrates – were available in Lithuanian,” she shares.

570113006_1335428101869910_3822014052477014455_n_copy_copy.jpg

Hanna Holub photo

Today, Vilnius University hosted the opening of the 14th International Congress of Balticists – the most significant event in the field of Baltic languages and literature. This year, the congress brings together more than 170 authors from sixteen countries: Lithuania, Latvia, Poland, Finland, Sweden, Italy, Germany, the Czech Republic, Austria, France, Switzerland, the Netherlands, the United Kingdom, the United States, Estonia, and Japan.

The Dean of the Faculty of Philology, Prof. Dr. Mindaugas Kvietkauskas, welcomed the large and diverse international community of Baltic Studies researchers, wishing them inspiring cooperation and new scientific breakthroughs.

568673115_1335426491870071_9118082761525135444_n_copy.jpg

Hanna Holub photo

“May this 14th International Congress of Balticists serve not only to disseminate the latest research, but also to shape the future of Baltic Studies. May it inspire new academic discoveries, joint projects, exchanges, and ideas for strengthening our study programmes. Let this congress also reaffirm our belief that the greatest challenges can be overcome when we are guided by the meaning and purpose of our work. The Baltic nations and the field of Baltic Studies have proven this many times in the past and will continue to do so in the future. Vivat baltistica!” said Prof. Dr. Mindaugas Kvietkauskas.

568644257_1335427781869942_1622237697801642947_n_copy.jpg

Hanna Holub photo

The International Congress of Balticists will continue at Vilnius University until 25 October.

PXL_20240923_094823635_copy.jpg

The Faculty of Philology is delighted to be partnering with Nordclinic Group and invites Faculty students to take part in the Faculty Partners competition for a chance to win a one-time nominal scholarship worth €500.

Nordclinic Group has established two scholarships, each worth €500. One will be awarded to a student of English Philology and the other to a student of Scandinavian Studies.

The competition is open to third- and fourth-year Scandinavian Studies and English Philology students with no academic debts and a spring semester average of at least 9.

Those wishing to participate are invited to submit a free-form application via the information system (is.vu.lt) by 21 November, including a short statement of motivation of up to 300 words.

The scholarship award committee will inform successful applicants of its decision by 5 December.

20_copy_copy_copy_copy.jpg

The Faculty of Philology at Vilnius University was honoured to host the opening of the 25th Week of the Italian Language in the World (Settimana della Lingua Italiana nel Mondo). The event brought together distinguished guests – scholars, writers, and cultural figures – from various regions of Italy.

The participants were welcomed by the Heads of the Italian and Swiss Embassies, Dr Artūras Vasiliauskas, Vice-Rector for Partnerships at Vilnius University, and Dr Giedrius Tamaševičius, Vice-Dean for Science and Strategic Development at the Faculty of Philology.

In his address, Italian Ambassador Emanuele de Maigret quoted Antonio Tajani, Italy’s Deputy Prime Minister and Minister of Foreign Affairs and International Cooperation:

“The Italian language is not only a witness to our past; it is also a language that shapes the future. It is increasingly used in business and associated with development. It is also an instrument for creating peace and dialogue,” – noted the Ambassador.

25_copy.jpg

Dr Giedrius Tamaševičius highlighted the evident influence of the Italian language and culture in Lithuania. He emphasised the Faculty’s contribution to promoting the future of Italian studies, including the popularisation of Italian philology and the strengthening of Italian as a potential second foreign language in Lithuanian schools.

The event programme can be found at the following link >>

1_copy_copy_copy_copy_copy.JPG

Orinta Labutytė photo

At the end of September, alumni of Vilnius University’s Faculties of Philology and Philosophy – graduates of the Lithuanian Philology and Foreign (Turkish) Language as well as Middle Eastern (Turkology) Studies programmes – gathered at the Embassy of the Republic of Türkiye in Vilnius to celebrate community, the cultural ties between Lithuania and Türkiye, and a friendship that has lasted for more than 30 years.

This year's event was attended by Pro-Rector for Partnerships of the University, Dr Artūras Vasiliauskas; Professor of the Faculty of Philology, Habil. Dr Bonifacas Stundžia, VU lecturers and a large group of alumni. They were welcomed by H.E. Ms. Esra Toplu, the Turkish Ambassador, and Dr Artūras Vasiliauskas, the VU Vice-Rector. The speakers expressed their delight at the mutually beneficial cooperation and the wide range of career paths chosen by the more than 100 graduates. During the meeting, which showcased Turkish culture, VU graduates Skaistė Keršytė and Ema Yanardağ performed songs in Turkish and Lithuanian.

3_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy.jpg

Orinta Labutytė photo

This is the second meeting of its kind, where Turkish language specialists who graduated from VU a couple of decades ago and later shared memories, smiles and plans for the future. Initiated by students and lecturers, the event is supported by the Embassy of the Republic of Turkey and the Yunus Emre Institute. As there is a desire among all attendees to nurture this community, we hope that such meetings will become an annual event.

1_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy.jpg

Vilnius University / Ugnius Bagdonavičius photo

On the second day of the conference „Genesis – Vilnius 2025: Genesis&Mimesis“, which is now in full swing, we are pleased to share photos of this excellent international meeting and the opening address delivered yesterday by our honourable guest, Madame Nathalie Ferrand, Director of ITEM (Institut des textes et manuscrits modernes). The address was titled 'From North to South, East to West: Genetic Criticism as a Compass in the Ocean of Texts and Manuscripts'.

It is a great pleasure and a great honour for me to open this new international conference dedicated to genetic criticism on behalf of the Institute for Modern Texts and Manuscripts (ITEM).

My deepest thanks must go to all those involved in the conception and organization of this year’s conference: to Professor Paulius Subačius and his colleagues, to the organizing committee who drew up its stimulating and engaging programme, to the University of Vilnius for hosting this event, and to the participants from different disciplines and countries who are gathered here today.

7_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy.jpg

Vilnius University / Ugnius Bagdonavičius photo

“Genesis – Vilnius 2025” is the sixth in a series of meetings that began in Helsinki in 2017, followed by Cracow in 2019, Oxford in 2022, Taipei in 2023, and Bologna in 2024. For the most part these conferences have been held within the bounds of the European continent, though their venues have ranged from this continent’s far north to its south. Thanks to Peng Yi, however, who organized the 2023 event in Taiwan, the Genesis Conferences have extended their span out of Europe, and the West altogether, into Asia.

The Institute for Modern Texts and Manuscripts has been engaged for a long time already in building up a tradition of international research and of strong scientific collaboration with other countries and continents: with Latin America (in particular with Brazil via the Associação dos Pesquisadores do Manuscrito Literario) since the nineties, with Japan where Japanese colleagues have been working, for many years now, closely together with Proust specialists in this field. Close collaboration has been going on with Africa for some twenty years now, and more recently it has begun with India. But the pattern that the Genesis Conferences are gradually forming is one which is broadening this framework yet further. These meetings now impress as a sort of wind-rose mapping the shifting fortunes of our discipline on a veritably global scale.

5.1.jpg

Vilnius University / Ugnius Bagdonavičius photo

What is impressive about these international conferences is not just the breadth of their extension across space but also the regularity of their occurrence in time. They have now taken on the steady rhythm of being held once a year. This regularity, however, has by no means lessened the richness or the novelty of the topics broached at each successive annual conference. As much is clear, for example, from the programme that lies before us in the next three days. Nor has this steady familiarity dulled our desire to practice, or still less our pleasure in practicing, genetic criticism. Proof of both these points, I think, is the fact that there have already been conceived and formulated a set of keynote themes for all the Genesis Conferences of the next five years, right up until 2030. These conferences will be held in Lisbon, in Tokyo, in Thessaloniki and in Antwerp, with a stop-over in Paris in 2028 to celebrate together the sixtieth anniversary of genetic criticism’s coming into existence. The colleagues involved in preparing these upcoming encounters are all here amongst us today and it is impossible not to admire the great variety of the topics that they are soon to propose to us.

One of the reasons why genetic criticism continues to interest scholars, and even interests them more year by year, is probably the following: it provides a sort of compass which enables one to find one’s bearings, and not to lose one’s way, in a form of textuality which is quite peculiar, complex and even labyrinthine: namely, the author’s manuscript. All those scholars who work on very large genetic dossiers – especially those of novelists – know how the material making up the drafts can be of a positively blinding richness. The scholar, however, must provide rational and convincing explanations of all that is there in this material. The method, and the concepts, of genetic criticism allow him or her to do so, even if this involves mobilizing also, where necessary, the tools of other disciplines belonging to the field of manuscript studies, such as codicology and palaeography.

19_copy.jpg

Vilnius University / Ugnius Bagdonavičius photo

In the discipline’s early years practitioners of genetic criticism were sometimes looked upon as eccentric individuals who spent their time transcribing crossed-out passages in author’s texts, wasting months of effort on such seemingly unfruitful matters. Some were of the view that the labour of genetic critics was expended mostly in vain, yielding little in the end but interminable surveys of the tiniest, seemingly most trivial details of texts and manuscripts. Now, it is certainly true that the description of manuscripts, and the transcription of all that is in them, is an indispensable stage in our work. It is also true that we spent a great deal of time poring, with our magnifying glasses, over erasures. But it was not labour lost, because it was the best way to enter into the concrete mechanisms of invention and of creative intelligence, so that we can better understand them. Thanks to this patient work genetic criticism has brought to light another form of textuality that challenges the classic methods of interpretation, these latter having been founded for a long time solely on texts fixed once and for all. Thus, genetic criticism makes possible a profound revision and renovation of our understanding of creative works and creative individualities. The fruits of this approach are more and more clearly evident in the publications which are produced every year in what is now a flourishing field.

Genetic criticism, then, can be defined, today, as a “science of written invention“. I borrow this excellent definition from Daniel Ferrer, who proposes it in the remarkable preface which he provided for the latest addition to our new collection collectively entitled Dans l'atelier de… (In the workshop of…), in a volume dedicated to the writing processes of Virginia Woolf.

The next three days are going to be devoted to a wonderful topic of discussion: Genesis & Mimesis. It is a very challenging topic, both for philosophers and for literary scholars. A topic like this leads us, in fact, down to the very roots of our culture, passing through the work of such authors as Plato and Auerbach and beyond. Mimesis is nothing less than one of the key modalities of our relation to truth and to what is real. By thinking, side by side with one another, genesis and mimesis, it becomes possible to envisage mimesis not only as a result which ensures the solidity of the literary or artistic work, thereby producing the illusion of reality or a relation to what is true, but also as a process, as a path toward producing or achieving these same results.

20_copy.jpg

Vilnius University / Ugnius Bagdonavičius photo

But mimesis may also be intended in another sense: that of an imitation of models – i.e. of other texts and authors – through which a writer tries to find his own way toward originality. This too is a lively and exciting field of scholarly inquiry.

Very probably, the three days set aside for this will not be enough to thoroughly explore the field of fundamental questions which opens up before us here. Nevertheless, this luminous idea proposed for Genesis Vilnius 2025 by Professor Paulius Subačius, who has been the principal initiator and organizer of this conference, will surely open up a series of exciting avenues of exploration which will be followed out still further in the future. Let me extend, then, my warmest thanks to you and to all the participants, and wish all of us good fortune in the work ahead!

Viešinimui_copy_copy_copy.jpg

Vilnius University and the University of Hamburg have signed a double degree agreement, offering German Studies students the unique opportunity to obtain a diploma from both institutions.

From 2025 onwards, students enrolling in the Bachelor's programme in German Studies at Vilnius University will be eligible for the double degree. This agreement is the result of four years of close cooperation between the two universities, with the launch of a joint degree being one of the partnership’s key goals. Until now, students could spend a semester in Hamburg, but the new programme opens up even broader international opportunities.

'Vilnius University seeks to expand its cooperation with leading international universities in both research and education. We have good news for students of the Faculty of Philology: this academic year we are launching another double degree programme. From 2025, bachelor’s students of German Studies will be able to earn a double degree from Vilnius University and the University of Hamburg. We are delighted with our partnership with this prestigious academic institution and the new opportunities it brings for our German Studies students,' said Vilnius University Rector Prof. Rimvydas Petrauskas.

The University of Hamburg is one of the most prestigious universities in Germany and has been awarded the status of 'Exzellenzuniversität' (Excellence University). It is renowned for its innovative research projects, strong academic networks, and commitment to building a sustainable future in the digital age.

20230615_141029_copy.jpg

Skaistė Volungevičienė photo

This new double degree programme will give students a significant competitive advantage in their academic and professional careers.

Contacts:

Vilnius University, Faculty of Philology – Assoc. Prof. Dr Skaistė Volungevičienė
University of Hamburg – Prof. Dr Heike Zinsmeister

1_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy.jpg

Vilnius university / Ugnius Bagdonavičius photo

To mark the 400th anniversary of the first publication of Matthias Casimirus Sarbievius's most famous collection of Latin poetry, Lyricorum libri tres, 2025 has been declared the Year of Baroque Literature in Lithuania. Sarbievius, a neo-Latin Jesuit poet from the Polish–Lithuanian Commonwealth, was known as the 'Christian or Sarmatian Horace'. His theoretical ideas on poetry and rhetoric are still valued, inspiring new research on Baroque literature and authors. This anniversary therefore provides an opportunity to explore the scope and diversity of Baroque literary culture, an area that has attracted considerable interest in recent decades, both academically and in popular culture. To mark this occasion, the Institute of Lithuanian Literature and Folklore and the Faculty of Philology at Vilnius University have organised an international scientific conference entitled 'Ratio, affectus, sensus: Literary Baroque Culture in the Grand Duchy of Lithuania'.

3_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy.jpg

Vilnius university / Ugnius Bagdonavičius photo

After welcoming conference participants from around the world, Prof. Rimvydas Petrauskas, the rector of Vilnius University, noted that the prominent Baroque poet Matthias Casimirus Sarbievius was an alumnus, and professor of our University. In his presentation, he emphasised the spirit of internationalism that has prevailed at Vilnius University since its foundation.

'Vilnius University has been an international learning hub since the very outset of its founding. The first professors came from Bohemia, the first rector was Polish, a Portuguese scholar wrote the oldest surviving dissertation, the longest-serving rector was Spanish, the first law professors were from Germany, while the first professors of medicine hailed from France and Austria. Sarbievius also belonged to this international community of distinguished thinkers who shaped the identity of the university as a 'universitas magistrorum et scholarium,' emphasized Professor Rimvydas Petrauskas, Rector of Vilnius University.

 2_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy_copy.jpg

Vilnius university / Ugnius Bagdonavičius photo

This multidisciplinary conference aims to stimulate discussion about the literary culture of the Grand Duchy of Lithuania during the 'long 17th century' (from the end of the 16th century to the mid-18th century). This historical period is associated with dramatic changes and a general cultural crisis and is often described as contradictory, characterised by constant tension between reason and emotion, strict structure and passion. Considering this, we invite you to examine Baroque literature through the lens of the dynamic interplay between reason (ratio), emotion (affectus) and the senses (sensus), evident in various genres of the period and their subsequent reception that preserved the Baroque spirit.